Nature journaling – first page

A very short post about today’s observations in nature:

I tried to focus on something simple at the park (where a lot was going on, and I don’t start about what is going on around the world…) – something down to earth. The ground just in front of me became my observation area and I picked a pinecone as main subject. Not pictured are ants, tiny spiders, aphids, various grasses, and a green caterpillar that fell from the birch tree above me. It was likely an orange underwing. I took it back on the birch and looked at it climbing the trunk in its characteristic looping gait. Just as I arrived there, a small treecreeper was hopping up the birch tree and chirping very quietly.

Weekly update in pictures

Not easy to find a short title for the post, so let me jump straight to the pictures:

This watercolor sketch is from the sunny morning at the park near my house. I found it difficult to choose what to paint, because many views were pleasing but also challenging, so I went for my usual shaded spot and turned around until I found a view with enough depth but not too much to paint. The combination of grass, trees and dark background was just right for my taste and so I started painting. I’m sort of happy on how it turned out, I was able to mix paint so that it came close to the actual scene and sort of controlled the dilution of colors, but I guess there is much to improve about the trees in the background and in general about the technique. Practice makes perfect πŸ™‚

Knitting also progresses nicely. I finished the first of the blue-stripey socks and almost finished the body of the linen sweater:

And finally, bread #116 and #117. I had to bake the second one after less than a week from baking the first, because it sort of vanished (innocent looks…):

The weather is not going to be luring me outside next week, so I forecast more knitting updates… stay tuned, and stay safe πŸ™‚

Crafting updates #2

Hello all, here are some more pictures of my hobbies’ progress these last two weeks. I mostly knitted and drew:

I started this sock toe-up, so that I can stop anytime on the leg (actually I want to use the whole skein, so I will stop after I used 1/4 of it; for some reason most of the knitting instructions for socks estimate 100g per pair, but I will have pretty long socks using half of it). Toe-up sounded challenging at first, and the 2mm needles are both thinner than usual and a bit too long, but it’s progressing nicely and very regularly. As the weather is still cold I plan to use them before next cold season.

The yellow sweater is made of linen and it follows the Audierne pattern by Regina Moessmer. I am fascinated by how it drapes and am very curious to see how it will look after the first wash. The picture shows the back of the sweater, with the cables-and-ladder pattern. One cable runs below each arm as well.

Regarding drawing, I finally took the courage to start using the waterbrush I bought almost a year ago (the water-filled pen on top of the picture), and followed the waterbrush introduction by John Muir Laws. This is my first experiment with it:

I was very surprised by how easy it was to paint uniform shades of colour. There is very definitely space for improvement but I had way worse results with a simple brush. The palette is an ordinary kindergarten set so the colours have no special merit in the result, nor the water πŸ™‚ I will definitely keep using this tool, and keep you posted with useful tips and links I happen to find.

I wish you all to stay healthy and safe, and maybe even sane, until the lockdown measures will be progressively lifted. I wish you find great ways to stay in contact with your loved ones and to not have to worry for work or housing. Hugs to everyone!

Watercolour experiments: blending two colours

Yesterday evening I wanted to test the new watercolour paper I bought a while ago, and as I had limited time and no real subject in mind, I practiced the blending of two colours. I made different tests with more or less water, often too much water πŸ™‚ and finished with a cloud and a horse.

My current difficulty with watercolour is to guess how much water I am using, therefore how diluted is the colour I’m using. Therefore I’m starting with simple, abstract forms instead of real objects. Comments and suggestions are always welcome!

Watercolour: first negative space painting

Yesterday I gave a try to the negative space technique, and this is the result:


I picked Horsepower by Chad Hanson on FlickrΒ and drew the minimum amount of lines needed to reproduce the scene. I then put one layer of watercolour after the other. I suspect that the paper had to be prepared before painting, because it bent a lot and made a strange effect on the left side. Maybe I used too much water. As a first result, it is not so bad! For sure I need practice in painting uniform surfaces (not like the darkest layer, where you see all brush strokes πŸ™‚ ) but this painting encourages me a lot.

Thanks my fellow bloggers for your inspiring posts about watercolour, and I hope that some of my readers feel like trying watercolour as well!

Watercolour: negative painting

Yesterday I came across this post from Sunnyfae about negative painting, a (watercolour) technique that requires to paint all around a given shape, therefore leaving the lightest areas of the canvas free. Here is one of her drawings:

I absolutely love the technique, so I looked up for Linda Kemp, the artist she mentions in her post. I found several videos on YouTube, and this one sounded great for my beginning with this new technique. Linda explains how to approach the painting in a mid-way between completely free and completely planned – by deciding the subject, colours and overall shapes before starting. The painting process will then be focused, while remaining free on local decisions (brush strokes and colour density). I like that approach and it suits me in this moment. You can browse other videos and find the one that speaks to you and invites you to try painting!

Thank you Sunnyfae for your inspiration, and do keep us posted with your progress and discoveries πŸ™‚

Watercolour painting: red fox

A couple weeks ago I saw a picture of a fox that invited me to make a watercolour painting. Today I stumbled upon this watercolour lesson from Laurie Wigham on John Muir Law’s blog and, after browsing the lesson’s slides, I grabbed my watercolour set, a largish pencil, my sketchbook and the watercolour pencils I have never used before, and started painting.

This is the outcome:



I enjoyed experimenting with watercolour. I was initially worried of doing mistakes that I could not correct, but instead felt a lightness in filling large areas so fast, with a light touch of the brush, and see how I could move paint around thanks to water. I added pencil details after the paint had dried a bit, so in some areas the wet paint diluted the pencil and made very rich colours.

I’m happy with the right side of the drawing, I consider the colors right and the pencil addition quite balanced; the left side was too lightly painted and I used a lot of pencil, a bit too much. The proportions of dark and light areas on the left side are also not so similar to the picture, maybe because I started painting when I had observed the picture too quickly (especially that part).

Overall I am satisfied with this painting, it gives me a positive sensation and it motivates me to try again! I liked the speed of the paint part and the combination with pencil. The video and slides give a lot more information and techniques, so I’ll consult them in the future to pick new tips and improve. I hope I inspired you to grab a pencil and try this yourself! I’d love to hear your feedback on the post and hopefully see your own paintings πŸ™‚

Watercolour experiments

Today I wanted to test some exercises suggested by “The magic of drawing”, and I’m quite happy of the result:


The process was free, the shapes came out from a first random brush stroke, that suggested the subject of the small painting; a linear stroke invited more linear strokes to represent tall grass or slender trees, while curved strokes reminded me of oak trees, like the green one.

My first steps of watercolour are about learning to control the brush, so they are not anything close to reality; nevertheless, I had much fun just practising these basics.They reminded me the free canvas use by children, who are additionally learning to control their hand. It was for me a happy jump in the past, in the times where I could draw and paint without thinking about the time or the use of paper.

I hope this encourages you to try too: you only need paper (any kind is OK for the start, it only has to be a bit thick, otherwise it bends with water) and a watercolour set! Hint: shopping for these supplies is a feast on its own πŸ™‚

Drawing streak – eleventh week

Here is the result of one more drawing week:

Day 71 I was feeling tired, but overall good, so I opted for a relaxed, somewhat tired sun.

Day 73 I used watercolours to paint a Protoceratops skull. I still have to learn how to apply more layers of watercolour without diluting the underlying layers, but first, I have to learn to let them dry completely πŸ™‚

Day 74 was hatching day and I drew a horse, with the direction of hatches following muscles and overall body shapes. The right part of the drawing is not so accurate, butΒ  I lost patience at some point.

Day 75 I scribbled with a ballpoint pen, using my coat as subject. The result is not so impressive still.

Day 76 is a simple horse coloured with felt pens. To make it a bit challenging I tried an unusual perspective, and I am quite happy for it!

Day 77 is a sole fish. We ate a lot of fish that day, including very delicate and tasty soles.

Merry Christmas to you all!