Study of a foal – acrylic paint

Today I wanted to make a painting out of yesterday’s study of a foal. At first I thought of watercolour, but as I tidied up my pencils, pens, paints and paper in the past few days, I thought I could give acrylic paint a go. I have little idea of the proper techniques so I just tried painting with blue. Here is the result:

Study of a foal - acrylic paint

I especially like the neck, with its soft shadows. I painted several layers over the legs, but I’m not as happy with them as with the neck and head. Any tips from more experienced artists? Just type a comment below! I’d be very grateful for your feedback.

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Watercolour experiments: blending two colours

Yesterday evening I wanted to test the new watercolour paper I bought a while ago, and as I had limited time and no real subject in mind, I practiced the blending of two colours. I made different tests with more or less water, often too much water πŸ™‚ and finished with a cloud and a horse.

My current difficulty with watercolour is to guess how much water I am using, therefore how diluted is the colour I’m using. Therefore I’m starting with simple, abstract forms instead of real objects. Comments and suggestions are always welcome!

Watercolour: first negative space painting

Yesterday I gave a try to the negative space technique, and this is the result:

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I picked Horsepower by Chad Hanson on FlickrΒ and drew the minimum amount of lines needed to reproduce the scene. I then put one layer of watercolour after the other. I suspect that the paper had to be prepared before painting, because it bent a lot and made a strange effect on the left side. Maybe I used too much water. As a first result, it is not so bad! For sure I need practice in painting uniform surfaces (not like the darkest layer, where you see all brush strokes πŸ™‚ ) but this painting encourages me a lot.

Thanks my fellow bloggers for your inspiring posts about watercolour, and I hope that some of my readers feel like trying watercolour as well!

Watercolour: negative painting

Yesterday I came across this post from Sunnyfae about negative painting, a (watercolour) technique that requires to paint all around a given shape, therefore leaving the lightest areas of the canvas free. Here is one of her drawings:

I absolutely love the technique, so I looked up for Linda Kemp, the artist she mentions in her post. I found several videos on YouTube, and this one sounded great for my beginning with this new technique. Linda explains how to approach the painting in a mid-way between completely free and completely planned – by deciding the subject, colours and overall shapes before starting. The painting process will then be focused, while remaining free on local decisions (brush strokes and colour density). I like that approach and it suits me in this moment. You can browse other videos and find the one that speaks to you and invites you to try painting!

Thank you Sunnyfae for your inspiration, and do keep us posted with your progress and discoveries πŸ™‚

Painting, how to start something new

Last week at the supermarket I saw a 18-set of acrylic paints and bought it at once – but I didn’t open them right after coming home. I wanted to find a good subject, read a bit about painting techniques, find the right paper/cardboard. A week passed and I realised I would never start painting, if I waited to make something great at the first try! So I just opened a few colour tubes and doodled on a piece of paper, with a broad pencil:

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I felt happy with the result, because I tried various ways to hold the brush, various densities of paint (with more or less water), I mixed the colours, overlayed some of them. I think that setting small goals for a first experiment is more rewarding that starting with a proper subject, that has high chances to turn out ugly πŸ™‚

I hope this helps you in starting with the art/hobby that you like so much, but feel intimidated – “what if I try and I don’t like what I can do?”. Starting with a test of tools and techniques, or just some free doodling, is a good way to break the “white canvas fear” and give you courage to practice further.

Happy art everyone!