A few weeks ago I started a more regular drawing routine, with the plan to scribble anytime I wanted, and produce a finished drawing once a week. Some time ago my fellow blogger Anne Leueen made a post about flying change – but it took me until today to make a drawing out of one of her pictures!
I chose one of the pictures where horse and rider faced the camera. During the flying change, the rider communicates the change of lead through body and leg positions, that’s why the shoulders, hips and legs look more on a S-shaped line than on a vertical. That bend is what I wanted to capture on my drawing. Therefore I decided to use only black and white, no shadows at all, and let the lines be the protagonists of the scene.
It was not easy to visualise the proportions of horse and rider, so I used the pencil-as-a-ruler technique, and started tracing light lines. I discovered that it was especially difficult for me to copy the proportions on the horizontal axis (and I would have made the horse and rider either too broad or too slim, or an ugly mixture of both) so I rotated the picture 90 degrees on the left – so that the head of the rider was on the left side – and rotated my paper accordingly. I kept drawing, checking where lines met: the rider’s hand next to the horse’s eye, the rider’s arm on the tip of the horse’s ear, and so on. It helped me to know a bit about horse anatomy, but I don’t see it as necessary.
When I felt I scribbled enough, I took a new sheet of paper, went to a window to trace the drawing with a graphite pencil. Back to my desk, I traced most lines with a black pen and filled the darker areas with a felt-pen. I briefly thought about adding shadows, but decided not to, at least not for this drawing.
I hope this explanation can give you some ideas on how to approach drawing, and encourages you to try!
Today I wanted to make a painting out of yesterday’s study of a foal. At first I thought of watercolour, but as I tidied up my pencils, pens, paints and paper in the past few days, I thought I could give acrylic paint a go. I have little idea of the proper techniques so I just tried painting with blue. Here is the result:
I especially like the neck, with its soft shadows. I painted several layers over the legs, but I’m not as happy with them as with the neck and head. Any tips from more experienced artists? Just type a comment below! I’d be very grateful for your feedback.
Yesterday evening I wanted to test the new watercolour paper I bought a while ago, and as I had limited time and no real subject in mind, I practiced the blending of two colours. I made different tests with more or less water, often too much water 🙂 and finished with a cloud and a horse.
My current difficulty with watercolour is to guess how much water I am using, therefore how diluted is the colour I’m using. Therefore I’m starting with simple, abstract forms instead of real objects. Comments and suggestions are always welcome!
Yesterday I gave a try to the negative space technique, and this is the result:
I picked Horsepower by Chad Hanson on Flickr and drew the minimum amount of lines needed to reproduce the scene. I then put one layer of watercolour after the other. I suspect that the paper had to be prepared before painting, because it bent a lot and made a strange effect on the left side. Maybe I used too much water. As a first result, it is not so bad! For sure I need practice in painting uniform surfaces (not like the darkest layer, where you see all brush strokes 🙂 ) but this painting encourages me a lot.
Thanks my fellow bloggers for your inspiring posts about watercolour, and I hope that some of my readers feel like trying watercolour as well!