Baking progress: breads #41 to #49

With a short break during the Christmas holidays, my baking streak continues, with mostly positive results 🙂

I’m learning a lot by baking regularly, and more importantly, by taking notes about how the different steps went (how long the dough was left leavening, how hot was the water, if I used a different flour, how was the texture of the dough after mixing, how did the baking phase go…). It helps me noticing what went well and bring it to attention for the next bread. I have my favourite recipe, the one I’m now sure of the result, but I like to pick up recipes with different flours, that require specific preparation steps (cooking part of the dough in a pot, make two or three pre-leavened doughs, adding lemon to enable the binding of gluten…) just to add interest to the process. One thing I have learned, thanks to a few burnt crusts, is that I can’t leave the loaf in the oven completely alone and keep track of the smell, because it will come too late for me to fix anything. So it’s better for me to stay near the oven for the first 10-15 minutes, when the crust becomes golden-brown, then lower the oven temperature and leave the bread complete the following 20-30 minutes baking phase on its own.

I’m considering to make it a small side job, but I’m unsure if making bread on a larger scale could be too time-consuming, or also difficult. Any ideas or tips about that? Thanks in advance!


Happy new year!

Evening in Veneto

With this post I wish you all the best for the year that just started! I’d like to quote averagefairy, whose wishes resonated in me:

2018 is about little victories. we’re not putting pressure on ourselves to become everything we’ve always wanted to be because nobody can do that in a year. instead we’re focusing on making forward strides and we’re celebrating every single win no matter how small. — source: Tumblr

Speaking of little wins in my radar, I decided to practice drums, yoga, blogging and drawing on a more regular basis. I tested various apps and off-line tools, and I finally chose an app for activity tracking, Loop Habit Tracker. I can set how often I plan to practice a given activity and it produces nice statistics and graphs. I’ll let you know how it works in a future post!

On giving and receiving feedback

Today I visited a Montessori classroom (around 30 children, 9 to 11 years old) and had the chance to attend a presentation about animal welfare, created by one of the children. First, it was a feast to see how much information she collected, how she organised it into a meaningful sequence, and how she presented, both reading texts written by herself and initiating brief guessing games where all children gladly took part. The presentation lasted almost an hour, and awoke the general curiosity. Many children set precise questions and she answered with sincerity.


The most touching part for me was the final feedback from most of the people present, both children and adults (the teacher, the girl’s parents and a few guests including me): it felt sincere, accurate, carefully worded and spontaneous. I have read many articles and books about giving feedback and I thought I knew a lot, but was overwhelmed and almost surprised by how experienced everyone acted in that circle. I was equally moved by the quiet joy of the girl answering with a few words to each person, often with a simple, soft “Thank you”. It felt so right! She did a terrific job, put a lot of effort, time and passion into it, presented it to the whole group with an enviable nonchalance, then her classmates gave her positive feedback and a few points to improve: she deserved to be proud for that. It made me think of the times when my parents scolded me for looking too proud when I received compliments, and I am so glad that this girl, and the other children in that group, can practice this healthy feedback exchange from an early age so that it can become a natural, fully functional part of their growth.

Die Sonne genießen. N'Jumo, Orientalisch Kurzhaar.

Various updates

Last week has been quite busy, and I didn’t post as often as usual. To summarise a bit, I knitted a colourful hat (Twisp)…


…then planned the colors and patterns for my next project, a Strange Brew sweater from Tin Can Knits:


I kept taking pictures of the tree near my bus stop:


I took the ferry in Köpenick for maybe the last time of the year (well, it depends when the river will freeze):


I baked bread #44, that looked and tasted great:


and right now, a batch of apple mini-muffins:


That’s all for today! I wish you a good start of the week 🙂

Photobook #2: season and weather

I posted a while ago about my project of taking pictures of a particular tree, and I’m proud to have captured the change of colours during fall. Here are a few pictures from end September to end October. I was happy to capture different weather conditions, even fog (that I seldom see here) and a nice range of cloudiness and intensity of the sky. Stay tuned for the slow transformation into winter 🙂

Drawing session: mammal profiles

Today I went to my favourite library with my sketchbook and looked for a book with a lot ot pictures of mammals, as I wanted to put into practice a few tips from John Muir Laws’ lesson. Here are the results:

African wild dog
Chimpanzee, handling a stone
Chimpanzee, playing in water
Wild boar
Grizzly bear, hunting fish
Indri (lemur), on tree
Jaguar, climbing on tree
Brazilian tapir, calf

I observed attentively before starting with the drawing, and then drew the outline very fast (1 or 2 minutes maximum). I didn’t use the eraser, just drew more lines. I tried to notice proportions, so that few pencil strokes could suggest the species, without the help of colour or surrounding habitat.

I am quite happy with the result, given that it’s the first time I draw most of these species in a realistic way (I have drew some in cartoon style before). My next step is to work on the outline, adding details (fur texture, eyes, precise shapes of legs/head/body/tail, 3D suggestion through line width). Stay tuned for next posts!

Playing music in the present

Like every Friday in these last two months, I have been wondering whether to come back to my orchestra. I have been taking a break since last Christmas.

Rehearsals in the school’s theatre

They are a lovely bunch of people who have fun when playing music together. When I joined, they accepted me with open arms, and they were my first group of friends I made in Berlin. The conductor instead seemed (at least in particular moments, near important concerts) more focused on results and concerts. Most musicians managed to ignore or absorb his prompts and the atmosphere remained usually calm and pleasant.

However, as I sometimes play the drums (mostly replacing the first drummer, rarely on my own initiative), I felt more exposed, because the conductor only recently (realised?) told me how he needs the drummer’s role to be: he/she should be his closest musician, because most of the orchestra tends to listen to the drummer instead of paying attention to him directly. I find this a clever idea; but I don’t feel able to fill that position. My dearest memories with the orchestra are the ones when I am in a pleasant harmony with my fellow players, like a jazz ensemble, mumbling music together, listening to each other – and these moments were invariably interrupted by the conductor, who desperately wanted my focus back on him, in order to regain control over the speed and dynamics of the whole orchestra. I felt woken up from a dream, sometimes too rudely (well, anyone woken up from a dream would see it as rude, I suppose).

I thought about that a lot and finally realised that the role he needs is not the role I have in mind for myself, and my attempts to walk in his direction both exhausted me and were objectively unsuccesful. Therefore I said I needed a break and left for now six months.

What I love is to play music in the present. That means to play music with attention and concentration, becoming aware of notes, of details, of my fellow musicians. The time for the future is before and after the playing session – not during it! – it is the selection of pieces for an upcoming concert, and the careful comments after the repetitions. But without playing in the present, there is no music, there is only a lot of stress when you realise how uncertain is the piece – and after playing, you can’t see the things who went well, because they are initially hard to spot, so few in the middle of a lot of mistakes and uncertainty. Everyone could say that the piece is not ready; but it takes a careful ear to spot the little improvements, that are the minimal, crucial building foundations for further work.

If I were a more skilled drummer, or a cooler-headed horse, I wouldn’t have suffered that much under the strain. But repetitions were my time for drums practice, not for judgment. I felt sometimes that a repetition was in fact as stressful as a concert. I still fear that, therefore I think I’ll skip rehearsals one more time tonight.