Various updates

Last week has been quite busy, and I didn’t post as often as usual. To summarise a bit, I knitted a colourful hat (Twisp)…

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…then planned the colors and patterns for my next project, a Strange Brew sweater from Tin Can Knits:

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I kept taking pictures of the tree near my bus stop:

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I took the ferry in Köpenick for maybe the last time of the year (well, it depends when the river will freeze):

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I baked bread #44, that looked and tasted great:

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and right now, a batch of apple mini-muffins:

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That’s all for today! I wish you a good start of the week 🙂

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November sun

Yesterday was the sunniest day of the last three weeks. The yellow of the few leaves still left on the trees made a nice contrast with the blue sky.

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I gladly basked in the sun while waiting for my train… and I wasn’t the only one:

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I came home and baked my best bread ever, #42. I made a single cut, deeper than usual, and the crust opened nicely around it. I let the upper heat on for ten minutes more, and the crust came out deliciously crispy. It’s the fourth time I follow this recipe, I think I won’t get it wrong anymore!

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Happy November everyone 🙂

 

Photobook #2: season and weather

I posted a while ago about my project of taking pictures of a particular tree, and I’m proud to have captured the change of colours during fall. Here are a few pictures from end September to end October. I was happy to capture different weather conditions, even fog (that I seldom see here) and a nice range of cloudiness and intensity of the sky. Stay tuned for the slow transformation into winter 🙂

Photobook: seasons and weather

I have started to take a picture of the large tree next to my usual bus stop, to track the colour of its leaves during fall, and the changing light. I make the pictures standing on the same manhole cover, so that the framing is quite consistent. I am not very regular in taking pictures, but I try to remind myself about it every time I walk there.

Film recommendation: “Paris, Texas”

Two days ago I watched this film at the cinema. A friend told me that it is widely available online, but I preferred to go to the cinema, for its setting and rituals: comfortable seats, great audio and video, planned timing and breaks. It is a situation where I have to decide very little and I can concentrate fully on the film.

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I have been enchanted by the colours, all along the film. Camera angles were a treat in practically every scene (I thought that the film could be stopped almost anytime and printed out on a large canvas, with wonderful results). But maybe I enjoyed the careful, slow unwinding of the characters’ stories even more than everything else. It seemed to me that some moments were not acted at all, they seemed so alive and real. I enjoyed the sensation of having enough time to understand what the characters thought, what they felt, instead of having to pick clues or devices put in place to signify an emotion, but in a way that saves film-time. I felt there was no plot, no planned outcome, and this made me feel relaxed – otherwise, when I know that the plot has to follow certain steps, I end up fixing my attention to it, afraid of missing a clue, but missing a whole bunch of other information.

It was great to watch the movie together with many other people. We chuckled, paid close attention, smiled, laughed and sighed together. It was precious to hear the buzz of conversations started right out of the doors, people flowing out in pairs or small groups, all starting a discussion about some particular scene or their impressions. There were people who didn’t like the film, and it didn’t bother me, even if I loved it a lot. There are many factors that need to be there to make you enjoy an artistic creation like a movie, not all under our control; maybe they were tired or worried about something and could not focus; maybe they didn’t like the story. Some films and books clicked for me only when I saw them again much later, with a different mindset.

For this movie, I liked the large space that the creators reserved to the spectator, to be filled with personal interpretations and empathy. There are very little hints of the opinion of the creators on the complex net of relationships among the characters, and their lives’ difficult turns. I felt that they offered that story to me, as it was, without trying to make sense of it themselves.

I’m curious to see more movies like this, and I am open to suggestions! Let me know in the comments.

Jumping: the landing

One more post about the show jumping event I attended a while ago (previous ones: jumps and take-offs): landings. After the flight phase, the horse and rider have to prepare the landing. The difficulty for the rider lies in keeping balance, while allowing the horse to use its front legs in a way that the combined weight doesn’t damage its front limbs. In the fourth picture you can see the angle of the pastern, absorbing the impact – it is the less blurred part of the picture, so the stillest one. Furthermore, horses have no collar bones, so the impact of landing is received by muscles and tendons, instead of more breakable joints.

The rider changes position, from staying close to the horse’s neck during the flight phase to leaning slightly backwards, ideally on a vertical line. The rider in the fifth picture is leaning forward, maybe the horse made a big jump that was hard to follow? It sure takes a lot of practice to properly ride your horse on such jumps (thanks Scottish Rider for sharing your experiences during training!), so I prefer to celebrate the moments of good coordination 🙂

 

 

 

“Robby Müller – Master of Light”: exhibition at Museum für Film und Fernsehen, Berlin


Yesterday I visited Robby Müller’s exhibition and decide to take all the time I needed to savour it. As the exhibition is about cinematography, the movies were aired in short excerpts, and this helped me ask: “How did Müller convey the impression of a small room? Which angles did he choose? How did he work with light?” instead of the usual “What is happening in this scene? What’s the story?”. I loved the uncommon focus on what is usually considered backstage work, whose goal is to support the narrative. It made me feel at ease, and made me appreciate those film excerpts enormously. It felt like being more than a spectator, there was a connection with the cinematographer and the director rather than with the film characters. This is the role I feel closer to myself: the informed spectator. I don’t see myself as participating in the action, nor as the naive receiver of cinema tricks and devices. I am audience, who aims to feel close to who realised the film.

One film I want to watch in its entirety is Paris, Texas, with its silences, filled up with the landscapes and the human society that lives and walks around the protagonist like a storm of busy insects. Colors and lights are incredibly dense, like in an oil painting.

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The exhibition also included a small selection of Polaroid photos taken by Müller on his travels. They were stunning. No surprise – but it urged me to learn more about picture composition and lights, because they are more important than the technology of your camera. I am struggling with photography books, which go either too little or too much in detail, and with my inability to see my mistakes in the pictures I take. Luckily I can ask advice to a few friends who are both great photographers and good teachers!