Here are a few studies I made this week: the first is about goats and sheep. I found a book of livestock breeds and decided to draw some of them. I found out that some sheep look like goats and vice versa, but chose to draw rather typical breeds to practice proportions and textures. Well, I tried… the sheep with black head and legs is a bit off, the back too high, maybe the head too large. I think I didn’t work on the proportions long enough, as I wanted to draw the details of the wool (and I find it came out great!)… Next time I also want to draw more horns, as the goats’ horns in particular have a peculiar section and therefore make funny spirals that look different at every angle. Sheep horns make more regular spirals.
The second set of sketches is about lions’ noses. In the library I found a great photography book on big cats (Raubkatzen: wild und faszinierend) and could easily examine quite small details. I decided to make a kind of plot and position noses according to the angles of the head:
Next time (next species in my list will likely be another big cat, or the fox) I will make a plot with axes meeting in the center of the page, so that I can draw noses pointing to the left or pointing upwards. There are otherwise too many pictures I couldn’t use, or had to mirror during drawing (and it’s really too difficult for me now).
A few weeks ago I started a more regular drawing routine, with the plan to scribble anytime I wanted, and produce a finished drawing once a week. Some time ago my fellow blogger Anne Leueen made a post about flying change – but it took me until today to make a drawing out of one of her pictures!
I chose one of the pictures where horse and rider faced the camera. During the flying change, the rider communicates the change of lead through body and leg positions, that’s why the shoulders, hips and legs look more on a S-shaped line than on a vertical. That bend is what I wanted to capture on my drawing. Therefore I decided to use only black and white, no shadows at all, and let the lines be the protagonists of the scene.
It was not easy to visualise the proportions of horse and rider, so I used the pencil-as-a-ruler technique, and started tracing light lines. I discovered that it was especially difficult for me to copy the proportions on the horizontal axis (and I would have made the horse and rider either too broad or too slim, or an ugly mixture of both) so I rotated the picture 90 degrees on the left – so that the head of the rider was on the left side – and rotated my paper accordingly. I kept drawing, checking where lines met: the rider’s hand next to the horse’s eye, the rider’s arm on the tip of the horse’s ear, and so on. It helped me to know a bit about horse anatomy, but I don’t see it as necessary.
When I felt I scribbled enough, I took a new sheet of paper, went to a window to trace the drawing with a graphite pencil. Back to my desk, I traced most lines with a black pen and filled the darker areas with a felt-pen. I briefly thought about adding shadows, but decided not to, at least not for this drawing.
I hope this explanation can give you some ideas on how to approach drawing, and encourages you to try!
Last week I entered the stationery with the intention to buy a folder. I ended up buying two A4 folders, an A5 folder and 7 STABILO Pen 68 felt pens of unusual colors. Here are the first two sketches with the blue/green pens:
I like the vivid colours, and the flexibility of the pen tip. It makes it behave a bit like a round brush. The paper I have drawn on is too raw, so it’s easy to make darker spots unintentionally. I’ll try on a smoother paper and let you know! Anyway I am already happy with these first sketches.
“Landscapeito” is John Muir Law’s name for mini-landscape drawing (by adding the Spanish diminutive –ito). John succeeded in motivating me to draw more often, because this technique offers a few goals at my arm’s (or pencil’s) reach, but yet challenging enough to make them interesting. Even more important, his video gave me a lot of tips on how to spot mistakes myself, and how to avoid them in future drawings. I am so grateful that he has shared the mental paths that he uses during drawing, because it makes me confident that my own way can lead to better results.
So here is my second landscapeito:
I liked his suggestion to start with only three levels of luminosity of a single color, before using the actual colors of the landscape. The first step is using a pencil and create three shades, from light to dark. I thought that it would be simpler if I used felt pens and chose three fixed shades of a single color – in this case, blue. So out I went and found a cute little corner near the river. I started with the lightest blue and used the two others in sequence. I took time to understand which shade to use for each area, and I am quite satisfied of this first attempt, even if overall it is too dark. I actually used a fourth color, and that too has made the picture too dark.
Today it rains, so there are no chances to draw outside – but stay tuned for more landscapeitos!
Day 71 I was feeling tired, but overall good, so I opted for a relaxed, somewhat tired sun.
Day 73 I used watercolours to paint a Protoceratops skull. I still have to learn how to apply more layers of watercolour without diluting the underlying layers, but first, I have to learn to let them dry completely 🙂
Day 74 was hatching day and I drew a horse, with the direction of hatches following muscles and overall body shapes. The right part of the drawing is not so accurate, but I lost patience at some point.
Day 75 I scribbled with a ballpoint pen, using my coat as subject. The result is not so impressive still.
Day 76 is a simple horse coloured with felt pens. To make it a bit challenging I tried an unusual perspective, and I am quite happy for it!
Day 77 is a sole fish. We ate a lot of fish that day, including very delicate and tasty soles.