I was looking for great nature photography books in my local libraries and stumbled upon this one, that narrates the friendship between a vixen and two humans: the three met almost every day for a few months in a specific point in the woods, and from there they walked together, with the humans observing the behaviour of the animal and taking pictures. It is a fascinating narration, full of awe and respect for wildlife, and of incredible close-ups of the vixen.
As I have to give back the book in two days, I decided to draw a few portraits of the fox just now:
As usual, the first two sketches are a bit off. From the fifth onwards I got a better grasp of the typical marks that make the drawing look fox-like: the large ears (still, I made many of them too small), the white patch on the sides of the nose and cheeks with its sharp boundaries, the colour pattern, the black back of the ears, the pointy muzzle. I think the last portrait sums up that quite well. Her ears are really huge 🙂
I’m getting hooked to this 10-sketch sessions, I’ll post more of them with new species – if you have preferences just leave them a comment below!
Yesterday I visited a new library in the city, and was very happy to find a lot of books about drawing and painting, as well as great collections of animal pictures. I went there with the goal of drawing ten heads of a given animal species, and I picked two books about dogs with high-quality pictures. Here are the outcomes:
You can see each sketch as a single picture on my Flickr share. Overall I find that the drawing session was worth it: I started with somewhat flat and simple portraits, then understood more and more about the subjects and also worked faster. I think I’ll keep the suggestion to draw ten items per session, because I noticed how the first ones don’t look so good, and if I manage to draw more than five or six, I get at least three decent sketches. It was also useful to draw different dog breeds, with different proportions and fur length, and also test a few angles other than the front or 3/4 view. I have other pictures to copy from, so stay tuned for next update!
Here are a few studies I made this week: the first is about goats and sheep. I found a book of livestock breeds and decided to draw some of them. I found out that some sheep look like goats and vice versa, but chose to draw rather typical breeds to practice proportions and textures. Well, I tried… the sheep with black head and legs is a bit off, the back too high, maybe the head too large. I think I didn’t work on the proportions long enough, as I wanted to draw the details of the wool (and I find it came out great!)… Next time I also want to draw more horns, as the goats’ horns in particular have a peculiar section and therefore make funny spirals that look different at every angle. Sheep horns make more regular spirals.
The second set of sketches is about lions’ noses. In the library I found a great photography book on big cats (Raubkatzen: wild und faszinierend) and could easily examine quite small details. I decided to make a kind of plot and position noses according to the angles of the head:
Next time (next species in my list will likely be another big cat, or the fox) I will make a plot with axes meeting in the center of the page, so that I can draw noses pointing to the left or pointing upwards. There are otherwise too many pictures I couldn’t use, or had to mirror during drawing (and it’s really too difficult for me now).
Here is one more German book that I would like to recommend to people who are interested in birds and are learning German! It’s actually more for an upper intermediate level of German, but it’s worth reading it at a slower pace, taking the time to translate words and understand syntax.
Klaus Richarz presents the most common bird species that live in or near human settlements, with many tips for successful observations, appropriate feeding, and detailed instructions on how to build nest boxes. The appendix includes further reading on specialised books and websites, as well as links to birdwatching associations. The book is pleasant to read, with shortish chapters and beautiful watercolour illustrations:
I found this book in my local library, but I’m inclined to buy it, so that I have it at hand anytime and I can re-read it and make notes about new words. And maybe take inspiration for watercolour paintings too!
Along the lesson John gives ideas for drawing tasks that make you practice what he explained, for example “draw 10 heads and faces of the species of your choice within a week of the lesson”, “draw 10 ears of the species of your choice”. I was a bit cold about this kind of homework, but I discovered that it made me observe better, and remember the concepts better too.
As first homework I chose to draw heads of two seal species: grey seal and harbour seal. I found a book in the library, “Robben an Nord- und Ostseeküste”, that presents the two species, and features high-quality pictures. There was an extra challenge, as the description of many pictures did not mention the species, and this made me observe them with even more attention. I drew seal portraits on two pages, one for each species.
Another homework I picked was “draw 10 noses of a species of your choice”. I chose horses, first because they are my favourite animal, and second because I have never drawn decent horse muzzles. I first thought that ten muzzles would be too much, that I would get tired after the first five. On the contrary, after the first attempts I noticed that I was nailing increasingly more details, seeing more in three dimensions, and getting the proportions and shades right. My favourite muzzle is the ninth, from the picture of an Arab horse.
For the next tasks I have found a book about foxes, with a lot of pictures! I’ll keep you posted on the drawings I’ll make – spoiler alert: one homework is “draw one page of a species’ ears” 🙂
Today I listened to the BBC4 “All in the Mind” podcast about loneliness. I found relieving to hear that loneliness can be seen as a neutral or positive state, at least in some cases. For many people, or maybe more for the general expectation of the society they live in, loneliness is seen as unhealthy, unwanted and sad, or even lousy. I agree that there are people who at given times of their life would like to have more social interactions, but have problems finding/keeping friendships, and this makes them unhappy. I also agree that unwanted loneliness can have serious consequences on a person’s health and life quality. On the other side, I think that each one of us has their optimal level of social interactions, so it’s very difficult to give others advice for “feeling better” by suggesting a specific amount (or even type) of social contacts.
I see myself as a solitary person who enjoys close friendships, and I know I’m not good at smalltalk or at mantaining not-so-close friendships. This led me to have a somewhat small network of people I regularly check with, and to feel unpleasantly lonely sometimes. I have recently met new people in the city, during meetings about shared interests, and this has made me feel definitely better. I also think I feel better since I decided that it was OK for me not to improve my smalltalk or my standard social interactions, because I felt uneasy in playing a role very different from my real self: I am authentic from the start, and I find like-minded people to share great moments with.
I don’t feel like celebrating loneliness per se! I’m rather interested about how I feel when I’m alone or with others, what can help me when I feel unpleasantly lonely, and how I interact with other people. I feel it is a work in progress: my understanding of loneliness is part of my path towards understanding myself and maintaining authentic relationships.
I chose to end the post with a picture of the Dolomites. The(se) mountains have been for me the perfect place for being alone in a magnificient, natural, healing, powerful and humbling landscape.