Today I went to my favourite library with my sketchbook and looked for a book with a lot ot pictures of mammals, as I wanted to put into practice a few tips from John Muir Laws’ lesson. Here are the results:
I observed attentively before starting with the drawing, and then drew the outline very fast (1 or 2 minutes maximum). I didn’t use the eraser, just drew more lines. I tried to notice proportions, so that few pencil strokes could suggest the species, without the help of colour or surrounding habitat.
I am quite happy with the result, given that it’s the first time I draw most of these species in a realistic way (I have drew some in cartoon style before). My next step is to work on the outline, adding details (fur texture, eyes, precise shapes of legs/head/body/tail, 3D suggestion through line width). Stay tuned for next posts!
I already knew I didn’t share the same opinion on mistakes with most other people, but only recently I saw it as a sincere misunderstanding.
My upbringing made me hate mistakes. It made me see mistakes as the result of sloppiness, lack of concentration, lack of accurate preparation. It was not imaginable that mistakes can happen despite the best planning: it was always the sign for improving something. I started to fight mistakes with the goal of eliminating them all – I didn’t know it was an impossible feat, but it looked good, because I was always trying to improve!
Sometimes other people would tell me: “Don’t be such a perfectionist! You are allowed to make mistakes!”, but my mind couldn’t understand it properly. There was this translation in my head:
You should be OK with making mistakes from time to time! , which became:
You should be OK with being careless from time to time!
This misunderstanding would not happen with these more articulate explanations:
There are different kind of mistakes and some can be prevented with better preparation, others depend on variables you can’t control (the weather, the audience’s mood, the company’s financial stability…), so your careful preparation could not lead to the best outcome. Afterwards, you can search for the source of the failure: it it’s something you could reasonably prevent, work on that; if not, you comfort yourself with the fact that you did your best.
Even if you can prevent all mistakes (false, but let’s pretend), you should do like all other people who are not perfectionists and let mistakes happen by paying less attention than needed. Try less hard. Make mistakes you could avoid, on purpose. Let others rejoice, because you too look human.
The second explanation appears now to me in all its monstruosity, judgemental arrogance and dangerous implications. I am finally able to accept mistakes that depend on external circumstances, and I am able to accept the mistakes that come from over-working myself to exhaustion – accept them, and see them as warning signs.
Now I can understand Bob Ross and his happy little accidents 🙂
I picked Horsepower by Chad Hanson on Flickr and drew the minimum amount of lines needed to reproduce the scene. I then put one layer of watercolour after the other. I suspect that the paper had to be prepared before painting, because it bent a lot and made a strange effect on the left side. Maybe I used too much water. As a first result, it is not so bad! For sure I need practice in painting uniform surfaces (not like the darkest layer, where you see all brush strokes 🙂 ) but this painting encourages me a lot.
Thanks my fellow bloggers for your inspiring posts about watercolour, and I hope that some of my readers feel like trying watercolour as well!
Yesterday I came across this post from Sunnyfae about negative painting, a (watercolour) technique that requires to paint all around a given shape, therefore leaving the lightest areas of the canvas free. Here is one of her drawings:
I absolutely love the technique, so I looked up for Linda Kemp, the artist she mentions in her post. I found several videos on YouTube, and this one sounded great for my beginning with this new technique. Linda explains how to approach the painting in a mid-way between completely free and completely planned – by deciding the subject, colours and overall shapes before starting. The painting process will then be focused, while remaining free on local decisions (brush strokes and colour density). I like that approach and it suits me in this moment. You can browse other videos and find the one that speaks to you and invites you to try painting!
Thank you Sunnyfae for your inspiration, and do keep us posted with your progress and discoveries 🙂
I enjoyed experimenting with watercolour. I was initially worried of doing mistakes that I could not correct, but instead felt a lightness in filling large areas so fast, with a light touch of the brush, and see how I could move paint around thanks to water. I added pencil details after the paint had dried a bit, so in some areas the wet paint diluted the pencil and made very rich colours.
I’m happy with the right side of the drawing, I consider the colors right and the pencil addition quite balanced; the left side was too lightly painted and I used a lot of pencil, a bit too much. The proportions of dark and light areas on the left side are also not so similar to the picture, maybe because I started painting when I had observed the picture too quickly (especially that part).
Overall I am satisfied with this painting, it gives me a positive sensation and it motivates me to try again! I liked the speed of the paint part and the combination with pencil. The video and slides give a lot more information and techniques, so I’ll consult them in the future to pick new tips and improve. I hope I inspired you to grab a pencil and try this yourself! I’d love to hear your feedback on the post and hopefully see your own paintings 🙂
The process was free, the shapes came out from a first random brush stroke, that suggested the subject of the small painting; a linear stroke invited more linear strokes to represent tall grass or slender trees, while curved strokes reminded me of oak trees, like the green one.
My first steps of watercolour are about learning to control the brush, so they are not anything close to reality; nevertheless, I had much fun just practising these basics.They reminded me the free canvas use by children, who are additionally learning to control their hand. It was for me a happy jump in the past, in the times where I could draw and paint without thinking about the time or the use of paper.
I hope this encourages you to try too: you only need paper (any kind is OK for the start, it only has to be a bit thick, otherwise it bends with water) and a watercolour set! Hint: shopping for these supplies is a feast on its own 🙂